What success looks like
50% is half amplitude, about −6 dB; 200% doubles amplitude and needs headroom.
Audio, explained · 02 / 36
Balance a source with a familiar percent control.
See how it works ↓One source goes in and one comes out. Volume uses the Gain processing path.
This is a linear amplitude control: 100% is unchanged, 50% is half amplitude, and 200% doubles amplitude. Percent is not a perceived loudness scale.
50% is half amplitude, about −6 dB; 200% doubles amplitude and needs headroom.
If turning this down changes the wrong sound, follow its incoming wire to confirm which branch it controls.
Select the node to open Properties. Click its name to rename it. While playing, supported parameter-only edits save after a short pause. For structural edits, use Save when the canvas marks a change. Enabled and Bypass are distinct live controls; see the in-app help for their behavior.
Use the same phrase to compare 50%, 100% and 200%. Output changes level without changing pitch.
The example repeats until you press Stop, and control changes are heard immediately. The traces are drawn from that audio, and the line marks the moment you hear. This is not a DSP measurement or control for your running AudioRouter session.
percentLinear signal amplitude relative to the input.
↓ Lower / alternative0% silences this output.
↑ Higher / alternative200% doubles amplitude.
Try this50% is about −6 dB.
Keep in mind Percent is not perceived loudness.
These are starting points. Compare at a comfortable monitoring level and adjust for your own source.