What success looks like
The level changes while rhythm and tone stay the same. A −6 dB cut roughly halves sample amplitude.
Level changes preserve the shape of the sound until a downstream stage overloads. A quiet recording with noise becomes louder noise too.
Gain multiplies every sample by the same amount. A change of +6 dB is roughly twice the signal amplitude; −6 dB is roughly half. It does not make loud and quiet moments more alike.
The level changes while rhythm and tone stay the same. A −6 dB cut roughly halves sample amplitude.
If distortion remains after a cut, inspect the source and earlier stages: attenuation cannot restore samples already clipped.
Select the node to open Properties. Click its name to rename it. While playing, supported parameter-only edits save after a short pause. For structural edits, use Save when the canvas marks a change. Enabled and Bypass are distinct live controls; see the in-app help for their behavior.
Compare Input reference with Output. The drum-and-bass phrase keeps its timing as Gain changes.
The example repeats until you press Stop, and control changes are heard immediately. The traces are drawn from that audio, and the line marks the moment you hear. This is not a DSP measurement or control for your running AudioRouter session.
gainDbA level adjustment expressed in decibels.
↓ Lower / alternativeMore negative values make it quieter.
↑ Higher / alternativeMore positive values make this output louder.
Try thisTry −6 dB to create headroom.
Keep in mind An upstream overload is not repaired by lowering gain afterward.
These are starting points. Compare at a comfortable monitoring level and adjust for your own source.